14 December 2010

equinox at the spiro mounds

~ INDEX~ Intro / Equinox Site / Modern Site History / Prehistoric Tribal Culture & Ritual / Directions to Park / Bibliography / Links / Epilogue

[sunset in spiro]

My daughter & I went to Oklahoma on Fall Equinox this year. We took the day off & drove 4 1/2 hours to Spiro from Dallas. Luckily we caught the sunset lecture by an archaeologist who told the story of a civilization that once lived in the place where we were standing. They were mound building Native Americans whose earthenwork structures were strategically placed to fall in line with the astronomical movements of the seasons. This equinox site is a day use park only, but is worth a visit to peek at the past. Especially spectacular are visits on certain equinoxes & solstices when the modern mortal can still witness the sun and moon's alignment to a row of mounds. For a short moment, we can stand in line with structures built by our primitive brothers & sisters a thousand years ago which still align today with clockwork precision to the very same sun.

The following blog discusses: prehistoric Native American seasonal rituals and cultural artifacts, and the history of the land in the years since then including the highly dramatic trouble created by treasure hunters at the site. Complete gallery of the pictures I took on the trip can be found by >clicking this link<

[human effigy]

Spiro Mounds Archaeological Park is located on 140 acres in Spiro Oklahoma near its eastern border with Arkansas. The 12 mound park offers a one-half mile interpretive nature trail year round and a small museum with a gift shop. The park's director is archaeologist Dennis Peterson who leads special tours of the mounds by appointment on Solstices, and during its most impressive astronomical alignment on Fall Equinox. Some of the information in this blog comes from the links & books referenced at the bottom of this entry. Many of the details below come from Peterson's lecture on site at sunset, September 23, 2010 and from my emailed questions that followed. His book recommendations are *starred* in my bibliography below. He did not review this blog pre-posting, so hopefully I haven't screwed up too much of the story in this retelling :)

[Spiro’s resident archaeologist, Dennis Peterson]

Spiro is at a bend of the Arkansas River & was the site of a central western political outpost & ritual center for a coalition of around 60 pre-historic Native American tribes. They were known as the Southeastern Ceremonial Complex (SECC) and they dominated the region before colonization. The Spiro site was actively used from 850 - 1450 AD and connected the region with elaborate rituals, an iconographic (picture) writing system, and maintained a huge trade route across the Southern United States stretching from the Gulf of California to the Gulf of Mexico and from the Atlantic coast of Virginia & up to the Great Lakes. Spiro isn't the name of the tribe though. The mound site is named for the nearby city.


[trade network]

During its heyday, leaders of Spiro orchestrated its people to build over twelve mounds including nine platform mounds and a single burial mound over a period of 400 years. These earthenworks structures were positioned to align with the rising & setting of the sun on certain seasonally significant days acting like a calendar that tracks the seasons.


[mound alignment]

The Temple Mound is the tallest earthenwork structure still intact on the site & is known as the Brown Mound. It steeply slopes on three sides and it is thought that the fourth side had a walkway up to the flat top of this platform mound where a structure was built. Today the top of the mound looks rounded in by erosion like the indent of a cup.

When the moon rose over the mound on Fall Equinox, it sat perfectly embraced by the divot in the top of temple mound. This was beautiful to see when a person stands on the path between the temple & house mounds, astronomical precision at sunset watching the sun align with the house mound & slip down below the peak on the horizon.

[moonrise over temple mound]

The archaeologist said that Fall Equinox for the tribe was an observance of a harvest ritual. The temple maintained a sacred fire in the ceremonial center. Before the fast, home fires were put out and hearths were cleaned. Women & children were not allowed in the main ceremonial area under penalty of death. Roughly 20,000 men from the region would come together and fast as a community, waiting for the priest to report what the "sundagger" or beams of light had shown them inside the temple mound when the sun shined through slits in the wall. The temple structure had images marked on the walls of its inner chamber that would be illuminated on seasonal holidays. Petroglyph cave paintings with similar iconography to that used in Spiro can be found in Dunbar Cave in Tennessee.

So this passing beam of light was in the right position on certain days to indicate key signs that the priest interpreted and shared related to the community's planting, harvesting, and other planning. Part of the ritual was that the leading gran soleil goes into seclusion for 3 days without food or water and has a vision. During this period the community allows for criminal appeals & judgments to be overturned. This is a time of forgiveness and renewal for the tribe.


[tattooed Spiro resident with stretched ears]

On the third day the sacred old women are allowed to bring trays of food to the edge of the ceremonial area where the men have secluded themselves under the brush arbors. The priest brings a bowl of sacred fire to house mound #2 and the leader emerges to return with them to the temple mound. The Gran Soleil gathered with other leaders around the sacred fire, which they fed and talked to. Women in the community bring their best pottery to the temple and are given sacred fire to return home with so they may restart the home fires. The whole community then goes to the river to be cleansed and forgiven. After the purification, everyone returns for a potluck dinner to celebrate the fresh start of a new season.

[dancers]

But that was 500 years or more before everything changed in 1933. It was the thick of the Great Depression and the property was owned by Mr. & Mrs. James Craig who had two young children. Several groups asked for permission to look for treasures in the mounds and were turned away. James Craig died "in the shadow of the mound" with Tuberculosis not long after meeting those who would become known as the "Pocola Mining Co"

So the parents of these children die under mysterious circumstances and the property is inherited by the kid's grandfather George Evans, who becomes their guardian. The old grandfather agreed to give the group a two year mining lease for $50 which led to one of the greatest archeological disasters in North America.

[path to Spiro Interpretive Trail]

The group spent the season harvesting the burial mound haphazardly, searching for gold & jewels that did not exist. It was readily apparent that the site contained ancient artifacts that were meant for museums. So the group immediately began peddling artifacts on the open market, labeled "From the Temple Mound in the Fort Coffee Bottoms near Spiro, Oklahoma, USA."

Artifacts from Spiro can currently be found in the collections of the Louvre, British Museum, Smithsonian, Victoria & Albert Museum, Heritage, Houston Museum of Fine Art, Ohio State Museum, Oklahoma History Society and the interesting sounding Wool-a-roc Museum & Nature Preserve in Bartlesville, OK. A large collection belongs to Oklahoma University, but there are many more universities with Spiro artifacts in their collections such as University of Arkansas and Gilcrease in Tulsa. In 1935 the Kansas City Star referred to the site as the "King Tut of the Arkansas Valley" based on the artifacts being sold by the Pocola Mining Company.



Soon, the treasure hunters got impatient enough to hire coal miners to "excavate". It was also reported by the Kansas City Star that a 14' tunnel had been built straight through the mound, large enough for a man to walk through with a wheel barrow. At the end of the lease, the once 33' tall burial mound was honeycombed with smaller tunnels. Interestingly there were no cave ins, although no shoring or timber was replaced by the miners. Around the same time suspiciously found drown in a shallow stream was the company's local contact R.W. Wall who also worked for the land owner’s as the project secretary.

Forrest E. Clements in the Anthropology Dept. of the University of Oklahoma started hearing about a deluge of undocumented artifacts originating from the area and it was the first the scientific community had heard of the looting going on in Spiro. In the beginning, they thought the artifacts were forgeries since the like had never been seen or unearthed. When the reality of the situation set in, Clements unsuccessfully tried to buy out the Pocola Mining Co. Finally, state legislature passed licensing requirements to protect the site. A lawyer who opposed the antiquities bill died unexpectedly just before the vote and local rumor attributed the death to a curse on those who had anything to do with the defiling of the tribe's Burial Mound.


[1936 image of destroyed mound from UT Austin link below]

"The diggers paid no attention to the new law until the deputy sheriff paid them a visit one day in the summer of 1935. After they were informed of their illegal act of digging and after "several threats of mayhem" they gathered up their tools and left....At this point the main cone on Craig Mound was pretty well intact and Clements believed the battle was won. So, not worrying about the site's destruction anymore, he took a summer teaching appointment in California and left. Most of the people who lived in the area were living within a rural community ...and archaeology was not an important issue. No one really cared to enforce the law so when ...Clements wasn't around to check up on things, the diggers moved back in and finished out their lease which ran until the end of summer. " (from Bostrom's blog)

At the end of 1935, the burial mound known as Craig Mound was blown up with a charge of black powder allegedly by the Pocola "Mining" Co. When the teacher Clements returned from his semester out of state, he found the remains of the mound littered with broken shell, pottery and bones. Feather robes were trampled by the plunder and destroyed cloth and baskets lay in bits. It was too late; the explosion had defiled what was left of the burial mound which had been so carefully created by this stone age civilization

[Engraved Shell Gorget ]

Clements wrote "the great mound had been tunneled through and through, gutted in a frenzy of haste. Sections of cedar poles lay scattered on the ground, fragments of feather and fur textiles littered the whole area. It was impossible to take a single step in hundreds of square yards around the ruined structure without scuffing up broken pieces of pottery, sections of engraved shell, and beads of shell, stone and bone."



In 1936, the University of Oklahoma archaeologists & a team of WPA workers excavated the rest of the Craig Burial Mound completely and salvaged many unearthered remains at the site. The war ended the project in 1941 but the mounds were eventually reconstructed in the 1970's. The reconstruction intended that the mounds would look as they did in photographs taken by local historic society member Joseph Thoburn before 1914 when the mounds appeared to still be undisturbed and intact. The "great mortuary" or Craig burial Mound was estimated to be 33' above ground level and 115' in diameter. The smaller other mounds average 20' high x 80' wide and many are believed to have remained undisturbed and have not ever been excavated. Most of the mounds were "for buildings to be placed upon or to cover old houses."

[underlying structure of house mound]

Much of OU's artifacts from the excavation in the 1930's are today overseen by Sam Noble at the Oklahoma Museum of Natural History. The school found more than 600 burials and over a thousand artifacts. From the 60's-80's, more excavation was done by the Oklahoma Archaeological Survey that also was of academic quality.

[unearthed representation of mound site in copper]

Unfortunately, the earlier artifacts were taken from the burial mound by Pocola Mining Co. before the university came to insure proper excavation. Thousands of objects were not properly cataloged and were removed without regard to their placement. As Peterson said, the artifacts are now permanently out of context "like pages ripped from a book." A good example is the carved ax heads found placed in a circle on staged skeletal remains. Many copper axes found in Spiro had handles made of persimmon wood carved into the shape of bird heads with eyes inlaid with shell.


[burial placement in circle of ax handles with beheadings]

Spiro was known for exotic burial ceremonies for elite members of its society. Planting & Harvests were celebrated. It was also the location of Seasonal Ceremonies including the Black Drink Ritual or other purging acts including smoking rituals involving smudging and the swallowing of pipe smoke in large gulps to invoke vomiting to expel or detox before a fast.
The leader, the Gran Soleil, smokes in the temple to purge before the ­3 day fast then goes into seclusion in the house mound #2 in order to have his vision for the next season's planning to lead his people. This leader is thought to be an intermediary between the lower & upper worlds, the earth and the sun. He is thought to communicate with the sun and returns to advise the people.


There are consequently many large effigy pipes for smoking that were unearthed from Spiro. The 'Smoker' is in OU's collection and measures over a foot in length and was made in Illinois and brought to Spiro as part of an exchange between chiefdoms. This artifact is thought to have been originally created at Cahokia near St. Louis and was exported down river to Oklahoma. The ancient civilization in Spiro smoked a weaker everyday tobacco flavored with fruit or mint. Ritual smoking was used as a purge with intensely stronger tobacco that was considered sacred.


[The Smoker Effigy Pipe at OU]

[Big Boy Effigy Pipe representing mythic hero Red Horn]

The far area near the burial mound was once a habitation area in the early days that the site was used. On an elevated area to the west of the burial mound is a ceremonial complex of 8 mounds surrounding a plaza. The people of Spiro engraved copper; made beads from stones, shells & seed pearls; farmed the land, hunted for food, decorated their bodies with tattoos, had stretched ears & wore spacers made of copper or stone (some of these ear spools measured 3” in diameter). The bows made in Spiro from Bois d'Arc wood were highly prized trade items across the region. Also popular for export were the lightweight gardening tools made from bison scapula favored by women & children who sowed the fields. Other crafted artifacts have been found such as the pipes and human effigies made of cedar or stone. Tools have been unearthed like stone maces and carefully created ax handles.
[EAR SPOOLS Comparison from UT Austin site]

[SPACERS aka EAR SPOOLS]

The big shot leader was known as "Gran Soleil" and when they died their prized possessions were buried with them in the mound. Their servants & wives considered it an honor to be ritually beheaded & buried with the leader when it was his time to go. As many as 20,000 people from far outposts of the tribe came to Spiro with baskets of dirt to contribute to the mound burial ceremony. When the bodies were prepared and placed on top of the burial mound, a teepee like structure was made over the offerings with upright cedar poles leaning inward placed in an "irregular circular pattern. The sides of this structure were then packed with dirt...and rapidly covered. As a result...a hollow chamber was left behind, roughly 15-20' in diameter and 8-10' high" Excavation found lime coating the inside of the structure had built up over time which sealed and helped preserve many of objects that now act as a record of this lost culture. Upper layers of the mound contain lesser ranking burials and later deposits offered "a total lack of grave goods" in the later period (from spiromounds.com)

[ritual beheading of servants who have the 'privilege' to be buried with their leader in the mound]

It is thought that the Spiro people were ancestors of the Caddo, Wichita & Kichai tribes. The burial rites of Spiro were continued by the Natchez & Choctaw tribes. Spiro cosmology was kept by many including the Cherokee & Muscogee tribes. Spiro descendants could possibly be the Tula tribe found by DeSoto upstream on the Arkansas River in 1542. By the late 1800’s when the original owner of the land named Rachel Brown claimed to have seen "ghosts & blue flames" around the Indian mounds the tribe who created them was a mystery.

We don't have a name for the Mississippian period tribe at Spiro although they are considered to be part of the Southeastern Ceremonial Complex, sometimes referred to as the Southern or Buzzard Cult. Birds are a recurring image and theme with the tribe and many of its rituals.

[birdman]

Hawk Dance or Eagle Dance is common to many regional tribes especially in the Mississippi area. "Raptors were considered messengers between this world & the upper world" said Peterson. One of the artifacts in the Spiro Museum is a conch shell imported from South Florida, brought to Spiro to be engraved with an iconic image of a Raptor. Many of these engraved shells were sent with couriers who were asked to memorize stories correlating with the images. The stories were retold to priests and leaders in far away cities by the Spiro messenger helping to unite the network of tribes with similar archetypes and ideas about cosmology and stories of how they believed the world worked. The images were recreated on pottery made in the outposts that received the engraved message from Spiro, helping perpetuate the unified stories spread to the common people sent everywhere they traveled & lived.

[RAPTOR engraving done in Spiro on conch shell imported from Florida]

Dennis Peterson's lecture talked about the migration of people to this continent, about burial rites of the tribe and how leaders were chosen. I especially found Peterson's ideas about the end of the culture fascinating.

Theories suggest that global climate changes in the 1300's contributed to the demise of the culture. Europe experienced a little Ice Age and the North American South had 100 years of drought. Weather changes increased bug populations and threw off predator/prey ratios. A darker mood developed when new creatures moved into the area like the predatorial jaguar with its unnerving scream like a woman in pain. Overpopulations by in the the screeching pileated woodpeckers didn't add pleasant sounds to the forest either.

The drought also encouraged the immigration of the unusual looking armadillo into the area, but the prehistoric people thought the armadillo brought the drought instead of the other way around. The elaborate rituals thought to improve their chances did nothing to feed the poor who began to rebel against the obligations given to them by their wealthy leaders.

[ceremonial cup used in black drink ritual, made of shell engraved with armadillo images]

The Lecture speculated that much like today, 700 years ago leaders tried to (1) deny the problem existed for at least one generation which worked for less than 20 years, then tried (2) blaming others [like suggesting new animals species were causing starvation], next leaders defensively supported a (3) shift from regional sharing of power to an attempt at centralized power, finally causing (4) adaptation or overthrow of the political system in power.

In response to their disillusionment with politicians and priests that could not control global climate change, the people eventually quit paying taxes or participating in ceremonies. Respect for authority was gone and mound building ends. Shift of power is taken from leaders, and trappings of power are given up. Regional trade shrivels and only insular local trades continue. With the lack of respect for leaders or their ambassadors and no trade diplomacy, violence between the tribes escalates and the civilization at Spiro fractures, factions and ends.

~ DIRECTIONS to Spiro Mounds Archaeological Park:
Spiro Mounds Park is 3 miles east of Spiro off Hwy 271, then 4 miles north on Spiro Mounds Rd. The city of Spiro is just a few miles away from a Dam on the Arkansas River (near Lake Wister State Park). Park is open May through October. Reservations for tours is recommended by calling Dennis Peterson at 918-962-2062 or emailing spiromds@ipa.net or contact@spiromound.com - 18154 First Street, Spiro 74959

[engraving with axis mundi staff]

~ BIBLIOGRAPHY:
-- more info on seasonal rituals of the Spiro tribe read:
*(-) the very readable 573 pages "The Southeastern Indians" by Charles Hudson published by University of Tennessee Press, TN (1976).

(-) "Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography (Linda Schele Series in Maya and Pre-Columbian Studies) [Paperback]" edited by F. Kent III and James F. Garber. published by University of Texas Press, Austin, TX (2009).

* (-) "Black Drink." by Hudson, Charles M. (1979). University of Georgia Press. pp. 83–112.

-- more on tribal cosmology & their origin stories for fire or creation read either:
*(-) "Native American Legends: Southeastern Legends Tales from the Natchez...and other Nations (American Folklore Series) by George E. Lankford published in hardcover by August House Press (1987).

or the author's new book to be released in January 2011:
(-) "Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)" Edited by George E. Lankford published again by August House Press (2011).

-- other Spiro related information found in:
(-) The Spiro Ceremonial Center: the Archaeology of Arkansas Valley Caddoan culture in Eastern Oklahoma by James A. Brown (University of Michigan, Memoirs of the Museum of Anthropology, Number 29, 1996).

(-) "The Spiro Mound." by Henry W. Hamilton The Missouri Archaeologist, Vol. 14 October.

(-) "The Oxford Companion to Archaeology" by Brian M. Fagan, pg. 686

~ tribal design images taken from following limited pressing six volume large formant museum book which catalogs over 1,400 designs:
"Pre Columbian Shell Engravings: from the Craig Mound at Spiro, Oklahoma" in six volumes by Philip Phillips and James A. Brown with collaborators. Published in Large Format as a Limited Edition set by Peabody Museum Press. Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge Massachusetts. (1975-1983)

from aLibris.com: "Unequaled in North America as a single source of prehistoric figurative and decorative art, the Craig burial mound was plundered by commercial diggers in 1933. Hundreds of fragile shell artifacts covered with engraved designs were quickly sold and, whole or fragmented, were scattered in public and private collections across the country. For the past ten years, Dr. Philip Phillips, Honorary Curator of Southeastern Archaeology at Harvard, has supervised a massive project that has involved making rubbings and line drawings of this whole corpus of Southeastern Indian art, matching hundreds of fragments, and classifying the engraved designs by schools. Volume VI, the last volume of the set, deals with the final phase of the Craig style, then concludes with a summary of the study, a bibliography, and an extensive index."

[engraving of Janus headed rattlesnake crowned with Antlers]


~ LINKS for the BLOG:
www.spiromound.com/pages/history.htm (park site)

http://digital.library.okstate.edu/encyclopedia/entries/s/sp012.html (by Dennis Peterson for Oklahoma Historical Society)

http://www.texasbeyondhistory.net/tejas/fundamentals/spiro.html (excellent UT Austin site)

www.ou.edu/cas/archsur/counties/leflore.htm (OU site)

www.exploresouthernhistory.com/SpiroMounds1.html

www.okhistory.org/outreach/museums/spiromounds.html (Oklahoma Historical Society Site)

http://en.wikipedia.org/wiki/Southeastern_Ceremonial_Complex (includes Red Horn hero myth)

http://www.lithiccastinglab.com/gallery-pages/spirocraigmoundpage1.htm (excellent blog called "History of the Destruction of Craig Mound" by Pete Bostrom)

~ epilogue
- There are four remaining places to see evidence of settlements from this tribal network called the Southeastern Ceremonial Complex, one of which is Spiro. Further exploration can be found at Moundsville Park & Museum in Alabama (moundville.ua.edu), in Georgia at Etowah Mounds Day-use State Park (www.gastateparks.org/EtowahMounds) and the fourth site was considered to have been the main capital of the prehistoric SECC tribes & can be explored in Illinois at Cahokia Mounds State Park & Museum(cahokiamounds.org). Cahokia was thought to have a population at its peak of 50,000, when Spiro had around 10,000 back then.

- No connection has been established between the mound building tribes of SECC and those built by the Mesoamerican Toltecs and Aztecs in Mexico. Maps that mention Toltec modular distances between mounds refers to standards established in Scott, Arkansas at the Toltec Mounds site, misnamed long before researchers had decided there wasn't enough evidence to tie together the mound builders of both areas.

- Equinox (n.) "the time when the Sun reaches the point along the elliptic where it crosses into the southern celestial hemisphere marking the start of autumn in the Northern Hemisphere" from the astronomical site http://skymaps.com which offers free monthly star charts for stargazers to print & use to identify constellations and other sights if you have access to a sky full of stars or a telescope.


28 November 2010

co-muses

read a great article a few years ago & was quite taken by the true story of tragic romance between two young, clever, talented but ultimately doomed artists. It looks like i wasn't the only one. brett easton ellis & gus van sant are working together on a script for Lionsgate based on the couple, inspired by the same article I read. Below are excerpts from the original article:

co-muses

"She was 'a blonde to make a bishop kick a hole in a stained glass window'....

She was a little bit wild (not sexually, God no -- she was rather demure there -- intellectually) and Jeremy loved wildness in people. 'By wildness I'm not referring to some corny idea of rock 'n roll excess,' he said. 'I'm talking about an internal turbulence and inventiveness that keeps the person and everyone around him or her on their toes.'

She could be combative. She let people know there was a line they couldn't cross with her. 'They were co-muses.....'

He loved that they knew interesting people, had them over all the time -- artists, musicians, writers, producers -- constantly drank, smoked, laughed and never turned on the television.....

As with everything else she did, she was fervent about it.... Her confidence was contagious. It was 'punk.'

Inspired...she made him feel free, and that made him feel loyal."

transcribed from the article "East Village Suicides" by Nancy J. Sales in the January 2008 issue of Vanity Fair about the lives of Theresa Duncan and Jeremy Blake:
http://www.vanityfair.com/culture/features/2008/01/suicides200801

see Theresa's blog here:
http://theresalduncan.typepad.com/

more on the movie:
http://www.slashfilm.com/gus-van-sant-and-bret-easton-ellis-team-to-write-suicide-film/

NY Mag'obit' called "conspiracy of two":
http://nymag.com/news/features/36091/


10 November 2010

Vikings in Oklahoma - Heavener Runestone

My great grandfather Buck was born in Indian Territory before it was known as Oklahoma. As an old man he told his grandson the stories passed on to him by his own grandfather about a tribe of red headed giants who would come snatch away naughty children and gobble them up. The story was that long ago all the regional tribes banded together for the last remembered time on a singular mission. Choctaws, Alogonquins, Cherokee, Sioux and others supposedly all worked together to wipe out the giant cannibals; eliminating every man, woman & child. But oral tradition can be embellished with re-telling, and what evidence is there of any tall groups of ginger haired people in the South?


Well actually there are quite a bit of clues. If you ever decide to visit Eastern Oklahoma, spend some time at Heavener Runestone State Park. Around 600 a.d. there may have been a Viking named Glome (nicknamed Gloi) marking his territory on Poteau Mountain in Oklahoma near Heavener. Still vertical it stands at 12 foot tall, 10 feet wide and 16 inches thick, roughly the size of a billboard featuring only 8 letters. The Heavener Runestone translates to say "Glome's Valley" Amazingly, there are seven other known runestone monuments some positioned miles apart in a straight line across the the region. The grey land claim marker is made of Savannah Sandstone withstanding time and bearing an inscription carved in an alphabet used by Northern Europeans long before Columbus crossed the sea.

Runes are a old Germanic & Scandanavian alphabet used from the 3rd to the 13th century. Just like English has gone from the Beowulf Old English spoken by the Anglo-Saxons to the modern newspeak L337 chatted by American teenagers, the runic alphabet being used changed over the centuries as well. The runic alphabet that most modern people recognize does not have the exact same letters as the Old Norse version and this caused a lot of argument in the earlier part of the last century over the authenticity of the norse inscriptions in Oklahoma.


The Heavener Runestone is thought to have been inscribed as early as 600 a.d., and the alphabet used was determined to be from the oldest Germanic (Old Norse) Futhark by Dr. Richard Nielsen in 1986. This Old Norse Futhark was used from about 300 A.D. whereas by 800 A.D the Scandanavian Futhark had become the predominant alphabet for runes. Dr. Nielsen got his doctorate at the University of Denmark and they know an awful lot there about about runes, norsemen and lets just call them vikings.The nearby Poteau Runestone was found by two 13 year old boys on a hill in 1967 and translates to "Magic or Protection to Gloi". The Shawnee Runestone was found face down in a stream about two years later, it appears to be a grave marker for someone named 'Medok." Both markers are written in Old Norse Futhark. Two other smaller stones with fewer letters as well as a binding rune were also found strategically placed in the area, including one near Robbers Cave.


According to oral tradition, the Heavener Runestone was first discovered by a Choctaw hunting party in the 1830's not too long after the tribe had been removed from its ancient home of Mississippi and relocated to Oklahoma. Wilson King was hunting bear with two friends when they found the runestone somtime before reporting it in 1874 and they are the first modern white men on record to have seen the monument. By the time Carl Kemmerer reported finding the stone in 1913 others in the area already knew it as "Indian Rock." But the runes had been there before the Choctaws, before the French trappers named Poteau Mountain, before Desoto's men laid eyes on the mossy grey carved stone. The runic inscription had been there since the norse educated & or viking's descendent put it there.


How much time did it take a Viking to get there himself? Months? Generations? This band of Norsemen had to travel from the known settlements in Greenland around the New England coast around Florida through the Gulf of Mexica and into Oklahoma by taking the Mississippi North to the Arkansas River in their flatbottomed long boats which easily navigated the rivers of the South.

Back in 1923, Kemmerer started the process of authentication by sending copies of the strange symbols to the Smithsonian Institute. In 1928, he showed the runes to a 12 year old little girl named Gloria Farley who was to devote the rest of her life to the research, translation and preservation of the monument over the next seventy years. It wasn't till 1965 that Oklahoma considered it as a site for state park. Over the next five years, support built for the project in Heavener (pronounced like heave-ho, not like with angels) and land was donated by the Leland Dial family. Senator Clem Hamilton appropriated funds for the park and a winding road was soon built up the mountainside to the park site.

At the top of Runestone Road on the other side of the railroad tracks in Heavener is the day use state park. A stone path leads down stairs to the place where the marker has been naturally protected from erosion by rock overhangs and pokeberry bushes. Mrs. Farley's state park effort originally built a cage around the runestone to prevent vandalism in 1970 along with an interpretive center. Now the cage is gone and Heavener Runestone still remains settled in the same spot as it has for centuries, although enclosed behind plexiglass in a lovely cedar building. Encased to its right are reproductions of the other stones found in the area along with translations, history and a few security cameras to keep everything safe and undisturbed.

One of the park's best feature is its spectacular view of the Poteau Valley... Glome's Valley I should say. Park is open from 8 a.m. till sunset and offers picnic tables, grills, gazebo and open air ampitheatre along with adequate bathroom facilities. Bring a picnic basket and your viking helmet.

On your way out, stop in Heavener at the Southern Belle restaurant for some pie. Southern Belle is on Hwy 59 and housed within an old railroad dining car. They feature at least 10 different daily varieties of pie with a view of the KC Southern train switchyard that is framed by the mountain where you will find evidence of tall, red headed white men that found their way to Oklahoma.


BIBLIOGRAPHY
gallery of photographs taken on my trip to the site

Oklahoma State Park site for Heavener Runestone Park includes amenities list, pics of the park and a video of the late Gloria Farley. Park is about 4 hours north of Dallas in Heavener Oklahoma, about 2.5 miles north on Hwy 59 at the Hwy 270 junction, follow the signs to Runestone Road and enjoy the drive up the mountain.

most of the facts in this blog came from:"The Heavener Runestone" pamphlet by Gloria Farley published by Oklahoma Tourism and Recreation Dept., Div. of State Parks, 500 Will Rogers Bldg., OKC, OK 73105. Link to full text >click here<

"In Plain Sight: Old World Records in Ancient America". by Gloria Farley is a hardback documenting her lifelong research. It is 491 pages long with 540 illustrations, photographs and scale drawings and includes 338 pieces of evidence of visitations of her extensive Petroglyph research all over North America. Although strictly a non-fiction work with complete references, the book also contains stories of adventure and humor. It is currently used as a textbook in Heavener High School and Bentley College, Massachusetts. The book may be ordered from I.S.A.C. Press, P.O. Box 1658, Columbus, GA, 31902, The price per copy is $42.50 postpaid.

for more about the translation from ancient Old Norse Futhark, read "The Runestones of Oklahoma" by Dr. Richard Nielsen. Epigraphic Society Occasional Publications, Vol. 16, 1987. ordered from 6625 Bamburgh Dr., San Diego CA 92217

Heavener ISD profile of Gloria Farley




03 November 2010

art by kray twins & the ethics of criminal provenance

In the art world, quirky artistic temperament is part of the process & gives value to the dealers role as middle man between the creator & the collector. What role does ethics play in selling the creations made by a cold blooded murderer?

Reggie & Ronnie Kray were infamous mob twins who dominated East London gangland but technically were nightclub owners and boxing promoters. Really they're better known for intimidation, psychotic fits of violence, rigging fights, a platoon of henchmen called "the Firm", celebrity friends, impeccable style and undying devotion to their dear old mum, Violet. The Kray brothers made substantial donations to British boxing charities; Jack Ruby is on record as saying: “boxing and criminality are two faces of the same coin.” It has been theorized that Ronnie's homosexual affairs with several closeted high ranking members of parliament from both parties is what let them get away so long with their criminal enterprises.

When the mob boss twins were finally convicted of something, for Reggie it was for the murder of underworld figure Jack 'The Hat' McVitie. For Ronnie he was convicted of the very public murder of gangster rival, George Cornell in front of a pub full of witnesses (most of whom either "didn't remember" or just flat out refused to testify) . They were both sent to jail for 30 years each in January 1969. At the time it was the longest, most expensive trial in British history. Ronnie, who spent much of his sentence at Broadmoor high-security hospital for the criminally insane, died in 1995 aged 61. Reggie died five years later after being paroled a few weeks before his death in response to his deteriorating health from bladder cancer.

Each twin wrote a bookfrom a cell, but more than 32 books have been written about them (especially well done are those authored by John Pearson). The film The Krays(1990) immortalized their flashy brutal business sense on the big screen. But it turns out they also dabbled in paint while they were locked up.

The personal belongings of the twins that were put up for auction were given to a "very close friend of the Krays" who grew up with them and made regular treks to see Reggie in prison and Ronnie in Broadmoor. Also on sale at the auctions were paintings done by the twins while incarcerated. Every auctioned piece of clothing as well as the art is considered a historic object to collectors of true crime memorabilia.

Collectors of outsider and folk art are known for their affection for interesting work by persons with mental illness, children, monkeys and other self taught artists who rarely make the work with the intention of selling it. The twins should definitely be considered outsider artists due to their limited formal art training. Their work comes with a peculiarly dark provenance which adds market value to the Kray's body of artwork.

ART PRICES:
1st Chiswick Auction in London on January 26, 2009 (160 personal effect items) £110,000 total:
- Ronnie's cufflinks in form of the intials RK £1,000
- letter to Ronnie from artist Francis Bacon £7,400
- Ronnie's oil painting done in Parkhurst prison £4,800

2nd Chiswick Auction in London on March 30, 2009:
- Ronnie's brevet revolver £3,000
- Reggie's paintings
- Ron & Kate's engagement ring £2,900
- Ron & Kate's Cartier diamond cluster wedding ring £2,800

"Outsider art - (n.) Strictly interpreted, outsider art refers to works by those outside of mainstream (art) society...folk and ethnic art as well as by prisoners...Because fewer and fewer people are sufficiently isolated (from art/media) to be truly outsiders, most are either mentally ill or working far from urban art scenes." [as defined by artlex.com]

"A victims’ support group has raised concerns over the sale of a gun belonging to the notorious Kray twins, saying it could reopen 'emotional wounds'. National charity Victim Support, which offers support to those affected by crime, yesterday condemned the sale of items saying many of the Krays’ victims were still living with the memories of what happened to them." A spokesman for Chiswick said '“The trade we work in from day to day is antiques and history – they come hand in hand for use. These items are a part of British history. There is no glamourising of this on our part.'"

AUCTION DATES:
- Bonhams Chelsea: sold Wednesday, August 23, 1995 [Lot 395]
Artist: Reginald Kray
Title: Reggie's turmoil, the despair of a Lifer (oil on board w/2 letters from artist and Ronnie Kray)


- Bloomsbury Auctions: sold Wednesday, November 22, 2006 [Lot 79]
Ronnie Kray, Untitled (oil on board Landscape with house and tree)


-Chiswick Auction in London sold on January 26, 2009
Ronnie Kray oil painting done in Parkhurst prison £4,800

- Chiswick Auction in London sold on March 30, 2009
Reginald Kray oil painting

- Bloomsbury Auctions: sold Thursday, September 30, 2010 [Lot 182]
Artist: Reginald Kray
Title: Untitled (+ 4 others; 5 works), 1986


A few years ago, a friend of mine curated an exhibit of paintings by serial killers such as John Wayne Gacy. What if the mother of one of Gacy's victims had come to the show and had an emotional response to the work being displayed by her child's murderer and violently reacted to the piece or establishment showing it? What if Victim's Support has valid concerns about the torment caused by glamorizing the lesser known talents of an real historical person who in life was despised and eventually punished for the evil done to their victims? Is it any different than the Antiques Roadshow like sale of a gun owned by John Wilkes Boothe or Al Capone? Few capitalists can resist market value when a painting outsells a Cartier diamond ring.

If the line between genius & insanity is so very thin, where do we draw the line in commidifying the art created by known predators? I suppose it is a risk to be assumed by the curators & dealers who choose to indulge their collectors' taste for blood.

In 2010, the three Teale brothers reported they would be releasing a tell-all book about the Kray'sfrom their perspective as henchmen, confidantes to the Twins, and eventual star witnesses who were forced into hiding after their testimonies convicted the Krays and many others. "They are planning to mark their unexpected reunion (after 42 years) with a book they hope will strip away the veneer of glamour around two of the most sadistic and dangerous killers this country has ever known." One of the brothers, Bobby mused 'But it almost looks like a waste of time...and a waste of our lives...when you find out that people are spinning a pack of lies about the Krays, glamorising them, treating them as heroes.'"

Back in 1969, the Kray twins older brother was only sentenced for 10 years. After his release, Charlie Krayreturned to crime and died in prison in 2000 while serving time for masterminding a £69m cocaine smuggling plot. I don't know if the less glamorous Kray brother ever picked up a paintbrush.

[ARTWORK to the left was done by Ron &
ARTWORK to the right was done by Reg]

SOURCES:
Chiswick auction prices
art auction dates provided by artnet.com (except the Chiswick auctions)
Chiswick auction
victim support group commenting on 2nd auction
kray conviction info
article about ronnie's open homosexuality
online chapter book about krays
star witness Teale brothers return after 42 years in hiding